| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 |
По разделу |
260642 | 1164 |
72 |
105 |
96 |
158 |
90 |
83 |
90 |
95 |
96 |
73 |
99 |
107 |
0 |
2 |
4 |
2 |
4 |
2 |
2 |
4 |
3 |
3 |
5 |
4 |
3 |
3 |
3 |
4 |
3 |
2 |
4 |
5 |
3 |
2 |
3 |
2 |
3 |
4 |
4 |
3 |
3 |
4 |
3 |
4 |
3 |
4 |
3 |
4 |
3 |
5 |
4 |
6 |
3 |
2 |
3 |
3 |
3 |
4 |
3 |
4 |
3 |
3 |
3 |
2 |
4 |
2 |
3 |
5 |
2 |
3 |
4 |
3 |
7 |
4 |
Критические заметки |
7565 | 772 |
51 |
61 |
58 |
148 |
55 |
61 |
62 |
52 |
59 |
48 |
51 |
66 |
0 |
2 |
1 |
1 |
4 |
1 |
1 |
3 |
2 |
2 |
4 |
4 |
1 |
2 |
2 |
4 |
3 |
2 |
4 |
2 |
2 |
0 |
2 |
2 |
1 |
3 |
1 |
3 |
2 |
2 |
3 |
2 |
2 |
2 |
1 |
1 |
2 |
2 |
3 |
6 |
3 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
2 |
2 |
3 |
2 |
1 |
1 |
1 |
3 |
1 |
1 |
2 |
1 |
3 |
4 |
Критические заметки |
8097 | 591 |
39 |
53 |
50 |
52 |
50 |
49 |
54 |
48 |
48 |
45 |
48 |
55 |
0 |
2 |
1 |
1 |
3 |
1 |
2 |
3 |
1 |
3 |
5 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
3 |
0 |
2 |
1 |
2 |
4 |
1 |
1 |
1 |
4 |
1 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
1 |
4 |
1 |
1 |
3 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
2 |
2 |
4 |
1 |
2 |
2 |
Критические заметки |
1323 | 547 |
34 |
49 |
47 |
54 |
49 |
49 |
56 |
43 |
45 |
36 |
36 |
49 |
0 |
1 |
2 |
1 |
3 |
2 |
1 |
3 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
1 |
3 |
1 |
3 |
3 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
5 |
1 |
Г. Ив. Успенский в воспоминаниях В. Г. Короленко |
4719 | 546 |
33 |
51 |
46 |
46 |
47 |
48 |
45 |
45 |
44 |
36 |
50 |
55 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
3 |
2 |
2 |
3 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
2 |
3 |
1 |
1 |
1 |
2 |
2 |
2 |
2 |
2 |
1 |
3 |
1 |
2 |
2 |
2 |
1 |
1 |
2 |
1 |
2 |
2 |
2 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
Письма из деревни А. Н. Энгельгардта |
6041 | 542 |
33 |
51 |
58 |
51 |
51 |
46 |
50 |
49 |
44 |
14 |
40 |
55 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
2 |
1 |
3 |
2 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
3 |
1 |
1 |
3 |
2 |
1 |
4 |
1 |
1 |
2 |
1 |
1 |
2 |
3 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
2 |
2 |
2 |
1 |
5 |
2 |
2 |
2 |
3 |
2 |
1 |
Критические заметки |
1483 | 538 |
35 |
37 |
53 |
49 |
49 |
49 |
45 |
43 |
46 |
38 |
44 |
50 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
1 |
3 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
2 |
4 |
1 |
3 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
3 |
2 |
2 |
2 |
Богданович А. И.: биобиблиографическая справка |
6091 | 517 |
28 |
43 |
46 |
43 |
41 |
43 |
48 |
45 |
46 |
46 |
41 |
47 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
3 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
2 |
3 |
2 |
1 |
4 |
2 |
2 |
1 |
Последние произведения г. Чехова: "Человек в футляре", "Крыжовник", "Любовь" |
5523 | 509 |
29 |
45 |
45 |
43 |
43 |
44 |
44 |
42 |
46 |
38 |
41 |
49 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
2 |
3 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
4 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
3 |
1 |
3 |
2 |
Критические заметки |
1399 | 490 |
30 |
43 |
18 |
32 |
45 |
48 |
43 |
42 |
48 |
41 |
43 |
57 |
0 |
1 |
3 |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
3 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
3 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
1 |
4 |
1 |
3 |
3 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
Эпигоны народничества:- Г. Меньшиков, самый яркий представитель их.- Народник старого типа:- Н. Е. Петропавловский-Каронин |
4849 | 488 |
36 |
43 |
42 |
38 |
46 |
42 |
43 |
52 |
51 |
20 |
31 |
44 |
0 |
1 |
1 |
1 |
3 |
2 |
1 |
3 |
2 |
3 |
2 |
1 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
3 |
3 |
1 |
1 |
2 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
2 |
1 |
Воскресшая книга.- "Знамение времени" г. Мордовцева |
4617 | 487 |
30 |
43 |
39 |
42 |
43 |
44 |
47 |
48 |
52 |
25 |
32 |
42 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
3 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
2 |
2 |
2 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
3 |
1 |
Текущие заметки |
6365 | 487 |
40 |
49 |
51 |
55 |
50 |
50 |
54 |
44 |
32 |
15 |
23 |
24 |
0 |
1 |
1 |
1 |
3 |
2 |
1 |
3 |
1 |
2 |
4 |
2 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
3 |
3 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
2 |
3 |
1 |
2 |
1 |
2 |
1 |
3 |
3 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
3 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
2 |
3 |
2 |
Исторические драмы Ибсена |
5572 | 479 |
34 |
41 |
45 |
44 |
41 |
45 |
44 |
43 |
45 |
23 |
33 |
41 |
0 |
1 |
2 |
1 |
2 |
1 |
2 |
2 |
2 |
2 |
2 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
4 |
1 |
Берне.- Близость его к нашей современности.- Полное собрание сочинений Ибсена |
4988 | 471 |
35 |
42 |
47 |
42 |
41 |
45 |
44 |
41 |
42 |
23 |
33 |
36 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
4 |
1 |
2 |
2 |
1 |
2 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
3 |
1 |
2 |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
3 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
3 |
2 |
А. П. Чехов - талант мертвой полосы |
4917 | 468 |
38 |
53 |
52 |
47 |
46 |
49 |
51 |
45 |
25 |
12 |
22 |
28 |
0 |
2 |
1 |
1 |
3 |
1 |
1 |
3 |
2 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
5 |
1 |
1 |
2 |
1 |
1 |
3 |
2 |
1 |
2 |
2 |
2 |
2 |
1 |
3 |
1 |
1 |
2 |
2 |
2 |
2 |
1 |
2 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
3 |
2 |
2 |
2 |
2 |
2 |
3 |
1 |
Момент перелома в художественном отражении.- "Без дороги" и "Поветрие", рассказы Вересаева |
4800 | 465 |
21 |
36 |
25 |
29 |
41 |
49 |
43 |
45 |
43 |
40 |
46 |
47 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
3 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
4 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
3 |
1 |
Памяти В. Г. Белинского |
4695 | 457 |
18 |
31 |
23 |
21 |
46 |
49 |
53 |
50 |
51 |
16 |
39 |
60 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
4 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
Три рассказа Ан. Чехова: "Случай из практики", "Новая дача", "По делам службы" |
4735 | 457 |
38 |
48 |
48 |
50 |
45 |
48 |
47 |
46 |
35 |
10 |
17 |
25 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
4 |
2 |
3 |
2 |
1 |
2 |
1 |
1 |
3 |
1 |
0 |
2 |
3 |
1 |
1 |
1 |
2 |
2 |
3 |
2 |
1 |
2 |
2 |
1 |
3 |
1 |
1 |
3 |
1 |
1 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
4 |
1 |
Богданович А. И.: биографическая справка |
4931 | 425 |
31 |
46 |
43 |
45 |
42 |
47 |
49 |
44 |
27 |
8 |
13 |
30 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
1 |
2 |
4 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
1 |
1 |
2 |
1 |
1 |
4 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 |
"Воскресение", роман Л. Толстого |
6563 | 404 |
40 |
49 |
40 |
21 |
30 |
26 |
14 |
23 |
42 |
18 |
42 |
59 |
0 |
1 |
4 |
2 |
2 |
1 |
2 |
4 |
2 |
1 |
2 |
2 |
2 |
1 |
2 |
2 |
1 |
0 |
2 |
2 |
2 |
0 |
2 |
1 |
1 |
2 |
3 |
2 |
2 |
2 |
2 |
1 |
2 |
3 |
1 |
1 |
2 |
4 |
1 |
1 |
2 |
2 |
2 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
4 |
3 |
0 |
3 |
Страничка из истории реакционной прессы |
3638 | 400 |
33 |
46 |
44 |
44 |
43 |
47 |
46 |
45 |
20 |
7 |
10 |
15 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
2 |
2 |
2 |
1 |
1 |
3 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
3 |
1 |
Н. Н. Златовратский |
4696 | 394 |
20 |
52 |
57 |
49 |
28 |
18 |
16 |
21 |
32 |
14 |
24 |
63 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
1 |
1 |
3 |
1 |
3 |
2 |
1 |
1 |
2 |
1 |
3 |
4 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
3 |
2 |
3 |
2 |
"Рассказы" г. Арцыбашева |
4672 | 392 |
12 |
29 |
20 |
12 |
45 |
50 |
48 |
50 |
50 |
17 |
17 |
42 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
1 |
2 |
3 |
1 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
"Мужики" г. Чехова. - "В голодный год Вл. Короленко". |
4796 | 389 |
21 |
48 |
46 |
48 |
23 |
19 |
21 |
32 |
41 |
18 |
32 |
40 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
3 |
2 |
1 |
2 |
4 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
1 |
3 |
1 |
Лесков - писатель-анекдотист |
6412 | 366 |
14 |
14 |
15 |
16 |
36 |
49 |
42 |
38 |
52 |
22 |
34 |
34 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
Никитенко как представитель обывательской философии приспособляемости |
4434 | 359 |
14 |
26 |
18 |
21 |
41 |
44 |
48 |
40 |
52 |
13 |
19 |
23 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
3 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
Юродствующая литература: "О любви", М. О. Меньшикова; "Сумерки просвещения", В. В. Розанова |
5534 | 356 |
13 |
13 |
14 |
14 |
38 |
49 |
43 |
34 |
44 |
19 |
31 |
44 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
Последние дни Помпеи. Роман Эдварда Бульвера. Перев. Съ английского Л. Гей |
1462 | 344 |
21 |
48 |
45 |
45 |
26 |
16 |
13 |
34 |
44 |
18 |
12 |
22 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
1 |
2 |
1 |
2 |
3 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
3 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
2 |
2 |
Памяти Н. В. Водовозова |
4019 | 325 |
13 |
23 |
17 |
17 |
36 |
43 |
43 |
41 |
48 |
9 |
16 |
19 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
Философия приволья.- "Очерки и рассказы" Максима Горького |
6087 | 319 |
15 |
30 |
26 |
21 |
16 |
21 |
31 |
26 |
46 |
19 |
21 |
47 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
4 |
1 |
1 |
2 |
2 |
2 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
"Очерки и рассказы" Вл. Короленко, т. 3. |
5205 | 244 |
15 |
16 |
32 |
18 |
22 |
18 |
15 |
18 |
15 |
15 |
24 |
36 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
3 |
"Ганиеле" Гауптмана и "Притчи" Л. Н. Толстого |
5961 | 200 |
14 |
20 |
17 |
10 |
15 |
21 |
15 |
18 |
19 |
9 |
19 |
23 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
Критические заметки |
1227 | 188 |
13 |
24 |
23 |
11 |
20 |
10 |
10 |
14 |
15 |
11 |
17 |
20 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
2 |
4 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
3 |
Французский "пролетарий" и русский общинник |
3666 | 187 |
11 |
14 |
16 |
12 |
17 |
13 |
15 |
36 |
18 |
6 |
11 |
18 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
Критические заметки |
451 | 187 |
9 |
20 |
21 |
16 |
18 |
21 |
15 |
10 |
14 |
10 |
13 |
20 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
3 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
Критические заметки |
1449 | 186 |
8 |
13 |
23 |
22 |
17 |
15 |
19 |
14 |
11 |
6 |
13 |
25 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
Граф Толстой об искусстве и науке |
5828 | 175 |
12 |
14 |
20 |
10 |
16 |
17 |
8 |
14 |
16 |
13 |
12 |
23 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
Критические заметки |
1574 | 168 |
10 |
14 |
18 |
12 |
10 |
16 |
10 |
13 |
18 |
10 |
14 |
23 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
5 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
Критические заметки |
890 | 167 |
10 |
15 |
14 |
6 |
20 |
13 |
13 |
16 |
15 |
11 |
13 |
21 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 |
Критические заметки |
1396 | 166 |
9 |
11 |
18 |
13 |
15 |
17 |
12 |
12 |
14 |
8 |
14 |
23 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
Критические заметки |
1432 | 158 |
11 |
15 |
20 |
13 |
8 |
12 |
17 |
11 |
12 |
9 |
8 |
22 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
"Сочинения Н. А. Добролюбова".- Н. В. Шелгунов в "Очерках русской жизни".- "Современные течения" в характеристике г. Южакова |
4653 | 157 |
11 |
11 |
22 |
8 |
12 |
15 |
11 |
13 |
11 |
11 |
11 |
21 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
Критические заметки |
696 | 155 |
10 |
14 |
14 |
9 |
8 |
13 |
12 |
16 |
16 |
7 |
14 |
22 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
"Спирька" г. Елпатьевскаго.- Народническая схема капитализма.- Неверное и устарелое освещение вопроса в рассказе г. Елпатьевского.- Образчики народнической критики |
4296 | 154 |
8 |
16 |
15 |
12 |
12 |
13 |
9 |
11 |
17 |
9 |
11 |
21 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
О г. Куприне и других молодых беллетристах.- Еще о г. Короленке |
5205 | 153 |
14 |
13 |
20 |
8 |
18 |
13 |
8 |
9 |
12 |
8 |
11 |
19 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
Критические заметки |
902 | 153 |
9 |
14 |
26 |
7 |
12 |
12 |
9 |
13 |
14 |
9 |
13 |
15 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
Критические заметки |
594 | 153 |
9 |
9 |
17 |
9 |
17 |
10 |
17 |
9 |
13 |
11 |
13 |
19 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
Адам Мицкевич |
325 | 151 |
10 |
13 |
14 |
9 |
7 |
12 |
14 |
12 |
14 |
6 |
19 |
21 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
Критические заметки |
531 | 150 |
9 |
12 |
13 |
13 |
12 |
13 |
8 |
14 |
12 |
9 |
14 |
21 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
Типы Гоголя в современной обстановке. - "Служащий", рассказ г. Елпатьевского |
4804 | 148 |
8 |
16 |
17 |
14 |
9 |
16 |
8 |
11 |
11 |
10 |
11 |
17 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
Критические заметки |
367 | 148 |
9 |
12 |
12 |
14 |
10 |
12 |
13 |
13 |
12 |
8 |
18 |
15 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
Мистические настроения в литературе иностранной и y нас |
4354 | 148 |
9 |
8 |
17 |
13 |
11 |
14 |
13 |
15 |
11 |
10 |
10 |
17 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
"В мире отверженных" г. Мельшина |
4466 | 147 |
7 |
11 |
16 |
9 |
15 |
14 |
8 |
13 |
10 |
9 |
14 |
21 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
"Петр и Алексей", ром. г. Мережковского. - "Страна отцов" г. Гусева-Оренбургского |
4466 | 146 |
9 |
9 |
22 |
10 |
9 |
16 |
7 |
8 |
13 |
10 |
11 |
22 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
Критические заметки |
539 | 146 |
6 |
15 |
11 |
15 |
13 |
14 |
8 |
7 |
15 |
6 |
14 |
22 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
"Полное собрание сочинений П. И. Мельникова" |
5241 | 142 |
8 |
11 |
15 |
14 |
8 |
17 |
6 |
13 |
12 |
9 |
13 |
16 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
Критические заметки |
1317 | 141 |
9 |
12 |
13 |
11 |
6 |
16 |
10 |
12 |
14 |
8 |
10 |
20 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
Московский художественный театр |
4396 | 140 |
10 |
8 |
15 |
15 |
9 |
11 |
8 |
11 |
12 |
8 |
11 |
22 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
Критические заметки |
1191 | 139 |
7 |
12 |
13 |
10 |
11 |
12 |
13 |
8 |
15 |
9 |
9 |
20 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |