| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
По разделу |
9072 | 484 |
8 |
44 |
53 |
48 |
35 |
36 |
48 |
31 |
37 |
32 |
50 |
62 |
0 |
1 |
4 |
2 |
1 |
2 |
4 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
4 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
5 |
6 |
1 |
1 |
2 |
2 |
2 |
1 |
4 |
2 |
2 |
2 |
2 |
3 |
2 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
Искусство с социологической точки зрения |
2942 | 298 |
3 |
24 |
31 |
40 |
24 |
21 |
35 |
17 |
25 |
18 |
26 |
34 |
0 |
1 |
1 |
0 |
1 |
0 |
4 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
Стихотворения |
376 | 157 |
3 |
17 |
17 |
10 |
11 |
14 |
14 |
11 |
15 |
10 |
14 |
21 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Современная эстетика |
683 | 147 |
1 |
13 |
10 |
7 |
10 |
15 |
13 |
14 |
9 |
12 |
20 |
23 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Происхождение идеи времени. Гюйо. Перевод с французского. Смоленск, 1891 г |
577 | 135 |
5 |
13 |
14 |
13 |
9 |
12 |
9 |
12 |
10 |
6 |
17 |
15 |
0 |
0 |
4 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
"Чтоб постигнуть сияющий солнечный луч..." |
766 | 122 |
1 |
14 |
23 |
11 |
8 |
9 |
5 |
10 |
7 |
2 |
9 |
23 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
5 |
6 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Разбитое крыло |
1424 | 119 |
2 |
15 |
14 |
8 |
9 |
12 |
9 |
9 |
8 |
9 |
10 |
14 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
Наследственность и внушение, как факторы воспитания |
733 | 116 |
0 |
11 |
11 |
8 |
8 |
9 |
13 |
9 |
9 |
6 |
13 |
19 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
Воспитание и наследственность. Гюйо. Перев. К. Толстого |
468 | 110 |
1 |
9 |
13 |
7 |
7 |
11 |
8 |
9 |
7 |
9 |
12 |
17 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Жан-Мари Гюйо: справка |
1103 | 93 |
1 |
10 |
10 |
9 |
5 |
10 |
7 |
8 |
7 |
5 |
9 |
12 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |