Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | |
По разделу | 124988 | 929 | 55 | 78 | 88 | 87 | 56 | 88 | 91 | 70 | 80 | 79 | 76 | 81 | 1 | 3 | 3 | 2 | 2 | 3 | 3 | 3 | 2 | 3 | 2 | 4 | 1 | 4 | 3 | 3 | 2 | 4 | 7 | 2 | 2 | 4 | 3 | 3 | 5 | 3 | 3 | 2 | 2 | 3 | 2 | 3 | 1 | 2 | 2 | 3 | 2 | 2 | 3 | 2 | 3 | 2 | 5 | 1 | 3 | 3 | 1 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 2 | 4 | 7 | 3 | 4 | 1 | 11 | 3 |
Антон Павлович Чехов | 4725 | 388 | 22 | 25 | 26 | 16 | 21 | 24 | 28 | 28 | 45 | 42 | 55 | 56 | 0 | 2 | 1 | 1 | 2 | 0 | 2 | 0 | 2 | 2 | 0 | 3 | 0 | 0 | 3 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 2 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 3 | 0 | 1 | 2 |
Декадентство и символизм | 7374 | 338 | 30 | 37 | 29 | 45 | 20 | 45 | 27 | 24 | 37 | 19 | 14 | 11 | 0 | 3 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 3 | 2 | 4 | 1 | 4 | 2 | 1 | 1 | 4 | 2 | 1 | 0 | 4 | 2 | 2 | 3 | 1 | 3 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 3 | 2 | 0 | 1 | 3 | 0 | 0 | 3 | 0 | 0 | 1 | 2 | 1 | 3 | 2 | 1 | 0 | 3 | 0 | 1 | 3 | 1 | 3 | 2 |
Раскол в радикальной журналистике шестидесятых годов | 3759 | 272 | 13 | 21 | 27 | 18 | 16 | 25 | 37 | 29 | 13 | 24 | 22 | 27 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 2 | 0 | 1 | 3 | 2 | 1 | 2 | 0 | 1 | 1 |
Н. С. Лесков | 2371 | 266 | 26 | 37 | 28 | 24 | 21 | 11 | 32 | 19 | 14 | 15 | 18 | 21 | 0 | 1 | 3 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 2 | 0 | 3 | 0 | 1 | 1 | 1 | 7 | 2 | 0 | 2 | 3 | 2 | 2 | 1 | 0 | 1 | 0 | 3 | 1 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 0 | 3 | 3 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 1 | 3 | 2 | 0 | 2 | 0 |
Антон Чехов | 10618 | 260 | 20 | 26 | 37 | 34 | 19 | 21 | 21 | 14 | 11 | 18 | 17 | 22 | 0 | 2 | 3 | 1 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 2 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 2 | 1 | 2 | 1 | 1 | 3 | 3 | 1 | 1 | 1 | 1 | 1 |
Сильфида | 1149 | 226 | 11 | 18 | 33 | 10 | 18 | 27 | 35 | 13 | 14 | 18 | 13 | 16 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 2 | 0 | 0 | 1 | 1 | 0 | 4 | 0 | 11 | 0 |
Волынский А. Л.: биобиблиографическая справка | 8795 | 224 | 19 | 24 | 19 | 16 | 22 | 14 | 33 | 19 | 13 | 15 | 16 | 14 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 2 | 3 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 |
Русские женщины | 1229 | 201 | 14 | 23 | 17 | 15 | 21 | 12 | 20 | 14 | 16 | 16 | 14 | 19 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 3 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 |
Письма к А. Г. Достоевской | 4065 | 197 | 13 | 16 | 24 | 16 | 18 | 14 | 20 | 13 | 13 | 23 | 15 | 12 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 4 | 1 | 1 | 0 |
Нравственная философия гр. Льва Толстого | 3147 | 197 | 15 | 19 | 20 | 13 | 16 | 16 | 26 | 13 | 14 | 12 | 16 | 17 | 0 | 0 | 3 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 1 | 2 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 2 |
В Большом театре | 3038 | 195 | 10 | 18 | 20 | 16 | 19 | 7 | 14 | 19 | 29 | 14 | 14 | 15 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 3 | 0 | 1 | 2 | 0 | 1 | 0 |
Критика | 2601 | 191 | 13 | 12 | 26 | 13 | 17 | 13 | 17 | 18 | 15 | 14 | 17 | 16 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 3 |
Символы (песни и поэмы) | 3110 | 188 | 9 | 22 | 24 | 13 | 17 | 15 | 19 | 13 | 10 | 13 | 19 | 14 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 4 | 3 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 7 | 0 | 1 | 0 | 1 | 0 |
Эдуард Ганслик.- О музыкально-прекрасном.- Опыт поверки музыкальной эстетики | 2398 | 188 | 10 | 18 | 17 | 16 | 17 | 21 | 17 | 13 | 14 | 17 | 15 | 13 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 3 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 0 |
Воскрешение мертвых | 2749 | 187 | 17 | 19 | 18 | 10 | 13 | 14 | 18 | 17 | 14 | 12 | 18 | 17 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 5 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 2 | 0 |
Ф.К. Сологуб | 3768 | 182 | 12 | 20 | 15 | 12 | 17 | 17 | 20 | 14 | 12 | 11 | 20 | 12 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 3 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 0 |
Литературные заметки: Аполлон и Дионис | 3764 | 182 | 11 | 23 | 19 | 13 | 15 | 13 | 25 | 12 | 11 | 12 | 13 | 15 | 1 | 1 | 3 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 5 | 1 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 0 |
Русские символисты. Лето 1895 г.- Валерий Брюсов. Chefs d"oeure. Сборник стихотворений.- Граф Алексис Жасминов. Голубые звуки и белые поэмы | 1965 | 182 | 10 | 18 | 20 | 15 | 12 | 7 | 22 | 18 | 14 | 10 | 22 | 14 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 2 | 0 | 2 | 0 | 1 | 0 |
Литературные заметки | 395 | 181 | 11 | 21 | 18 | 14 | 14 | 14 | 24 | 15 | 14 | 10 | 14 | 12 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 |
Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | |
Литературные заметки | 2401 | 180 | 10 | 14 | 21 | 12 | 19 | 14 | 20 | 15 | 10 | 15 | 16 | 14 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 4 | 0 | 0 | 3 | 0 | 1 | 0 |
Литературные заметки | 6076 | 180 | 14 | 19 | 21 | 15 | 16 | 11 | 17 | 16 | 12 | 16 | 15 | 8 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 3 | 0 | 1 | 0 |
Литературные заметки | 2358 | 177 | 11 | 15 | 22 | 11 | 14 | 11 | 21 | 13 | 12 | 18 | 16 | 13 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 3 | 0 | 1 | 0 |
Оскар Уайльд | 2272 | 177 | 12 | 15 | 22 | 10 | 15 | 8 | 16 | 19 | 12 | 16 | 13 | 19 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 3 | 0 | 0 | 2 | 0 | 1 | 0 |
Литературные заметки | 1572 | 173 | 11 | 16 | 17 | 16 | 10 | 12 | 28 | 17 | 8 | 12 | 15 | 11 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 0 |
Литературные заметки | 2462 | 170 | 11 | 14 | 20 | 14 | 11 | 10 | 24 | 15 | 11 | 13 | 13 | 14 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 0 |
Юбилейный обед в честь П. Д. Боборыкина | 2027 | 164 | 10 | 15 | 20 | 12 | 10 | 12 | 17 | 17 | 10 | 15 | 12 | 14 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 |
Смысл войны. Из нравственной философии Влад. С. Соловьева | 1944 | 161 | 9 | 16 | 18 | 12 | 16 | 11 | 21 | 9 | 8 | 14 | 15 | 12 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 2 | 2 | 3 | 0 | 1 | 0 |
Мой портрет | 865 | 160 | 15 | 18 | 14 | 14 | 16 | 7 | 20 | 16 | 9 | 11 | 11 | 9 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 |
Волынский А. Л.: биографическая справка | 4115 | 159 | 10 | 15 | 18 | 19 | 15 | 8 | 15 | 16 | 9 | 11 | 14 | 9 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 |
"Фетишизм мелочей". В. В. Розанов | 2908 | 157 | 10 | 20 | 17 | 11 | 15 | 12 | 15 | 18 | 8 | 9 | 13 | 9 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 |
З. H. Гиппиус (Мережковская). "Зеркала" СПб. 1898 | 1077 | 156 | 11 | 14 | 21 | 11 | 14 | 11 | 18 | 12 | 8 | 14 | 11 | 11 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 3 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 2 | 0 |
Русские символисты. Выпуск I-II. Москва 1894 г. | 2262 | 155 | 11 | 13 | 25 | 13 | 11 | 11 | 15 | 13 | 7 | 14 | 13 | 9 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 2 | 0 |
Литературные заметки | 398 | 155 | 11 | 15 | 15 | 11 | 9 | 17 | 20 | 12 | 7 | 12 | 14 | 12 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 |
Критика | 2061 | 152 | 13 | 17 | 17 | 11 | 12 | 11 | 16 | 10 | 10 | 11 | 15 | 9 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 2 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 1 |
Фридрих Энгельс | 1711 | 146 | 11 | 13 | 18 | 11 | 10 | 7 | 15 | 14 | 9 | 11 | 16 | 11 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 3 | 1 | 0 | 2 | 0 | 2 | 0 |
Литературные заметки | 1833 | 145 | 10 | 10 | 16 | 12 | 13 | 8 | 19 | 13 | 7 | 13 | 13 | 11 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 1 |
Литературные заметки | 1554 | 143 | 8 | 13 | 16 | 12 | 11 | 6 | 19 | 15 | 8 | 12 | 17 | 6 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 3 | 0 | 1 | 1 |
Современный и новый репертуар | 2509 | 143 | 10 | 12 | 15 | 10 | 13 | 11 | 13 | 11 | 12 | 10 | 14 | 12 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 0 |
Репин и Ге | 2060 | 141 | 9 | 13 | 18 | 11 | 14 | 8 | 18 | 11 | 11 | 12 | 9 | 7 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 2 |
Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | |
Критический обзор главнейших произведений Вильгельма Вундта | 1154 | 138 | 8 | 11 | 18 | 8 | 9 | 10 | 19 | 13 | 10 | 10 | 14 | 8 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 1 |
Критический обзор главнейших произведений Вильгельма Вундта | 1408 | 136 | 9 | 14 | 15 | 12 | 11 | 11 | 14 | 10 | 10 | 9 | 11 | 10 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 0 |
Критический обзор главнейших произведений Вильгельма Вундта | 1212 | 133 | 12 | 11 | 16 | 10 | 12 | 3 | 16 | 10 | 9 | 11 | 13 | 10 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 2 |
Литературные заметки | 1917 | 131 | 6 | 16 | 16 | 10 | 11 | 7 | 14 | 11 | 9 | 8 | 14 | 9 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 1 | 1 | 0 |
Волынский А. Л.: биографическая справка | 813 | 131 | 14 | 11 | 12 | 14 | 11 | 6 | 18 | 13 | 7 | 7 | 11 | 7 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 0 |
"Русским ведомостям" | 1651 | 126 | 12 | 11 | 14 | 11 | 9 | 8 | 14 | 11 | 8 | 9 | 10 | 9 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 4 | 0 | 1 | 0 |
Литературные заметки | 1348 | 116 | 6 | 11 | 16 | 12 | 10 | 4 | 14 | 8 | 6 | 11 | 10 | 8 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 0 |
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